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- About Bookbinding - |
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A Book for All ReadersThe Art of Reading Part 5
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Books may be divided into three classes: 1st, acquaintances; 2d, friends; and 3d, intimates. It is well enough to have an acquaintance with a multitude of books, as with many people; though in either case much time should not be given to merely pleasant intercourse that leads to no result. With our literary friends, we can spend more time, for they awaken keen interest, and are to be read with zest, and consequently with profit. But for our chosen intimates, our heart-companions, we reserve our highest regard, and our best hours. Choice and sacred is the book that makes an era in the life of the reader; the book which first rouses his higher nature, and awakens the reason or the imagination. Such a volume will many a one remember; the book which first excited his own thought, made him conscious of untried powers, and opened to his charmed vision a new world. Such a book has Carlyle's Sartor Resartus been to many; or the play of Hamlet, read for the first time; or the Faust of Goethe; or the Confessions of St. Augustine; or an essay of Emerson; or John Ruskin; or the Divine Comedy of Dante; or even an exquisite work of fiction, like John Halifax, or Henry Esmond. What the book is that works such miracles is never of so much Importance as the epoch in the mind of the reader which it signalizes. It were vain to single out anyone writer, and say to all readers-Here is the book that must indispensably be read; for the same book will have totally different effects upon different minds, or even upon the same mind, at different stages of development. When I have been asked to contribute to the once popular symposia upon Books which have helped me,I have declined, for such catalogues of intellectual aids are liable to be very misleading. Thus, if I were to name the book which did more than most others for my own mind, I should say that it was the Emile of Rousseau, read at about the age of seventeen. This work, written with that marvellous eloquence which characterises all the best productions of Jean Jacques, first brought me acquainted with those advanced ideas of education which have penetrated the whole modern world. Yet the Emile would probably appear to most of my readers trite and common-place, as it would now to me, for the reason that we have long passed the period of development when its ideas were new to us. But the formative power of books can never be overrated: their subtle mastery to stimulate all the germs of intellectual and moral life that lie enfolded in the mind. As the poet sings - Books are not seldom talismans and spells. Why should they not be so? They furnish us the means, and the only means, whereby we may hold communion with the master-spirits of all ages. They bring us acquainted with the best thoughts which the human mind has produced, expressed in the noblest language. Books create for us the many-sided world, carry us abroad, out of our narrow provincial horizons, and reveal to us new scenery, new men, new languages, and new modes of life. As we read, the mind expands with the horizon, and becomes broad as the blue heaven above us. With Homer we breathe the fresh air of the pristine world, when the light of poetry gilded every mountain top, and peopled the earth with heroes and demigods. With Plutarch, we walk in company with sages, warriors, and statesmen, and kindle with admiration of their virtues, or are roused to indignation at their crimes. With Sophocles, we sound the depths of human passion, and learn the sublime lesson of endurance. We are charmed with an ode of Horace, perfect in rhythm, perfect in sentiment, perfect in diction, and perfect in moral; the condensed essence of volumes in a single page. |
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