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| The Binding of Books An Essay in the History of Gold-Tooled Bindings by Herbert P. Horne London 1894 |
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| The Craft of Binding Part 21 |
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| It is at this stage, that the modern binder forms his hollow back, and adds his false bands. A hollow back is made by pasting a piece of paper, commonly brown paper, of the height of the book, upon the back. The paper projecting beyond the one edge of the back, is folded over, and cut to the width of the back; after which, the paper, projecting beyond the other edge, is treated in a similar fashion. The two pieces of paper, thus folded over, are then pasted upon one another, so as to leave a hollow space, when the book is open, between them and that portion of the paper, which is pasted upon the back. The false bands are usually made of several thicknesses of leather, pasted together, and cut into strips: and they ordinarily have no relation whatever to the real bands on which the sections are sewn. COVERING .-The book is now ready for covering; and for this purpose, nearly every kind of skin, and embroidered, or woven, fabric has been employed, which could well be used. In the middle ages, woven fabrics were largely employed for this purpose: but the use of skins in covering books, appears to have existed from the earliest times. The bindings of forrell, 'the rough undressed skin of the beast,' were already, at the end of the fifteenth century, superseded by those of finished leather; the native leathers being naturally found in use, in a country, before those of foreign manufacture. Thus, among the books in the Old Royal Collection, few are to be found covered in morocco, before the time of James I.; calf, vellum, sheep, doe, and pig-skin, being commonly found on English books, of the sixteenth century. The books of Iceland are covered in seal-skin; and there is a copy of Governor Phillip's Voyage to Botany Bay, London, 1789 [C. 47. i.], in the British Museum, which is bound in kangaroo-skin. Dibdin alludes to a copy of the Historical Works of Charles James Fox, which Jeffrey, the bookseller had covered in fox-skin: and the same writer hints at a book, 'which the renowned Dr. Askew caused to be bound in human skin.' It was peculiarly clear in colour; fine in grain; and soft, yet firm, in substance. The goatskins are now brought to the London market, in a rough state; and the finest leathers are prepared from them, in Paris: but straight-grained morocco, which was much in use at the beginning of the present century, still continues to be a peculiarity of English manufacture. But, without doubt, no colored leather is comparable to morocco, either for beauty, or for use. It was formerly brought from the Levant, Turkey, and the Barbary coast, where the leather was made from goat-skins, tanned with sumach, and finished in black, or in various colors: and it is this leather, which we still admire, both for its beauty, and its durability, on the fine bindings of the sixteenth and seventeenth centuries. |
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