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DE Thou and LE Gascon part 2It was towards the end of the reign of Charles IX., after the death of Grolier (1565), that we find the first specimens of a new style. The side of a book was now covered by a framework of small compartments formed by double filleted bands. At first these compartments were empty, and Henry III added to the barren severity of the design by filling the central space with a stamp representing the crucifixion. As Henry II put the bow and arrows and triple crescents of the unchaste Diana on the royal bindings, so the sombre Henry III, taking life sadly because of his lost love, Mary of Cleves, was fond also of a powder of tears and of death's heads scattered through the lilies of France. So solemn a style of decoration did not tempt his sister, Margaret of Valois, afterward known as Queen Margot, and she preferred a powder of marguerites each flower being framed in an oblong wreath. |
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Whether or not they are entitled to the credit for the many beautiful bindings rather rashly attributed to them is one of the many moot points in the history of the art. These are the bindings now known as "fanfares" (because that was the chief word in the title of an old book which Thouvenin bound in this style for Charles Nodier during the Restoration). These are the bindings which served as models to that greatest of binders, who is known to us as "Le Gascon," and who, so M. Marius-Michel surmises, may have been a pupil or an apprentice of the binders who worked for De Thou.
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