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| Aboutbookbinding.com Welcome to About Bookbinding your resource for FREE bookbinding information. |
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| The Art of Bookbinding by Joseph W. Zaehnsdorf 3rd Edition Published in London 1897 |
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| The morocco cover should now have marked upon it with a pencil the exact size of the book itself, by laying the book on the cover, and running the point of a black lead pencil all round it. The leather must then be “pared,” or shaved round the edges, using the pencil marks as a guide. This paring process is not so difficult, especially if a French knife is used, such as may now be purchased at most material dealers. The chief point being that a very sharp edge is to be kept on the knife, and that the burr is on the cutting edge. The knife is to be held in the right hand, placing two fingers on the top with the thumb underneath. The leather must be placed on a piece of marble, lithographic stone, or thick glass, and held tightly strained between finger and thumb of the left hand. Then by a series of pushes from the right hand, the knife takes by a series of pushes from the right hand, the knife takes off more or less according to the angle given. The burr causes the knife to enter the leather; if the burr is turned up the knife will not cut but run off. |
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| If the knife is held too much at an angle it will go right through the leather, a rather unpleasant experience, and one to be carefully avoided. The leather should from time to time be examined, by turning it over, to see if any unevenness appears, for every cut will show. Especial attention should be |
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| given to where the edges of the board go. The turning in at the head and tail should be pared off as thin as possible, as there will be twice as much thickness of leather on the back where turned in, the object of this care being, that it must not be see. The morocco cover should now be wetted well, and grained up by using either the hand or a flat piece of cork. This is to be done by gently curling it up in all directions; and when the grain has been brought up properly and sufficiently, the leather should be pasted on the flesh side with thin paste, and hung up to dry. Should the leather be “straight grain,” it must only be creased in the one direction of the grain, or if it required to imitate any old book that has no grain, the leather should be wetted as much as possible, and the whole of the grain rubbed out by using a rolling pin with even pressure. |
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| The Morocco leather first brought from that country, had a peculiar grain, and was dyed with very bright colours. It is now largely manufactured in London and Pris; the French manufacture is the finest. Russia and calf require no setting up of the grain, but Russia should be well rolled out with the rolling pin. When the cover (morocco) is dry, it is to be well pasted, the squares of the book set, so that each side has its proper portion of board projecting. The book is then laid down evenly on the cover, which must be gently drawn on; the back is drawn tight by placing the book for its foredge and drawing the skin well down over it. The sides are next drawn tight, and the bands pinched well up with a pair of band nippers. |
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| The four corners of the leather are cut off with a sharp knife in a slanting direction, a little paste put on the cut edge, and the operation of turning in may be commenced. The book must be held on its edge, either head or tail, with a small piece of paper put close to the head-band to prevent any paste soiling the edge or head-band, and with the boards extended, the hollow is pulled a little away from the back and the leather neatly tucked in. The leather is next to be tightly brought over the boards and well rubbed down, both on the edge and inside, with a folding stick, but on no account must the outside be rubbed, or the grain will be taken away. The foredge is to be treated in like manner, by tucking the corners in for strength. |
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